Time is like a drug: too much of it kills you
Where the souls dissapear
In 2001, Damon Albarn told Q magazine he had been walking up the hill with Graham Coxon deciding whether to quit the band.
He said: “Then there was this huge graffiti. If that wasn’t a sign we should keep making music together I don’t know what is.
” - article discussing role of the ”Blur graffiti” on Primrose Hill(Source: camdennewjournal.com)
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MTV Europe - by Chris Taylor

(Source: milkonlegs)

finally scanned the whole article (Q, march 1996): 9 pages+ cover.
Good reading! You can download it here
“The first time we encounter Damon Albarn in the offstage flesh, he pads barefoot into the makeshift backstage canteen in Cardiff Arena. He’s dishy fellow - something to do with the fair hair and dark lashes. Or the combination of Pinocchio’s nose and Steve McQueen’s eyes. That and a smile that could charm the birds out of the trees.” - Q, march 1996
“Before the show, Alex meets up with his family and friends in the band’s dressing room. He ostentatiously opens a magnum of champers and his parents toast their son and his bandmates. They’re classic parents, the sort of people Jerry and Margo would have had over for a mixed four-ball and a fondue in The Good Life.
Dad discusses computers with Dave, Mum musses Damon’s hair and fusses over the food, Dad’s friend, as Dad’s friends are contractually obliged to do, expresses a keen interest in “having a look at the gear”. Alex’s sister tugs at the loose fabric her sibling’s supposedly tight trousers and says, “Alex, you’re getting too thin.” He looks delighted.” - Q, march 1996

Inrock (Japan), October 1994

Blur Tour Programme 1997

Blur Tour Programme 1997
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